1.Belano and Lima looked at me and said that I was clearly a visceral realist already and that together we would change Latin American poetry.
贝拉诺和利马盯着我说看来我已经是个本能现实主义者了，我们几个联合起来必将改变拉丁美洲的诗歌现状。
2.Where do you think American poetry is today, as it has come down from the tradition?
你认为美国诗歌的现状怎么样，在这么脱离了传统之后？
3.In other words, it is nothing exaggerating to name Williams " father of postmodernism American poetry" .
换句话讲，称威廉斯为“美国后现代诗歌之父”实不为过。
4.The introduction mainly introduces Rexroth's life history and literary works, and analyzes his position in the realm of American poetry.
绪论部分主要介绍雷克斯罗思的生平和创作，并分析其在美国诗坛地位不高的原因。
5.Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery, and clear, sharp language.
意象是一种运动，20世纪早期的英美诗歌的青睐精度的图像，并清晰，语言。
6.language and everyday events, his verse represents a turning point in the history of American poetry.
有了他经常使用的通俗语言和日常事件，他的诗歌象征着美国诗歌史上的一个转折点……
7.Perhaps the crucial cultural document here was (and is) Donald Allen's anthology The New American Poetry 1945-1960.
也许这里的关键是文化的文件（是）唐纳德艾伦的选集新美国诗歌1945年至1960年。
8.Eventually, American poetry caught up with Whitman but not until his century had run out.
美国诗歌最终跟上了惠特曼的步伐，不过这时他生活的世纪已经逝去。
9.Excerpts from this essay were presented at the International Conference on the 20th Century American Poetry (Wuhan, China) in July 2007.
本文中部分内容在20世纪美国诗歌国际学术研讨会（武汉，2007年7月）上宣读。
10.To sum up, we can find that Greek myths and legends of American poetry creation and development of important role and influence.
综上所述，我们不难发现古希腊神话传说对英美诗歌的创作和发展所起的重大作用和影响。